Thursday, 7 October 2010

Interview with 16-year old Anesha G. Kumar for NST's Niexter

NST

Victoria from my office emailed me a request from NST's Niexter desk, for me to give an interview to a 16-year old. I have always liked the idea of kids learning and seeing the world from different perspectives, and I definitely welcomed the idea of engaging with the younger generations to see what exactly they might find interesting about "my world". Here's the article Anesha wrote, and a photo of her and me before I changed into a slightly more traditional gear to attend NSTP's Open House right after that. (Thanks a million Anesha, I really enjoyed our chat last week!)

Tiara for a Princess

2010/10/06
Anesha G. Kumar, 16, Petaling Jaya, Selangor
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WHEN I stepped into the room, I prepared myself for a more than an interesting interview with Tiara Jacquelina, who was Gusti Putri in 4 sold-out seasons of Puteri Gunung Ledang, The Musical including one in Singapore. I must admit I was a teensy bit nervous meeting someone like her, well-known for her fame in both the film and musical. But the moment she stepped into the room, she brought warmth and a sense of ease with her dazzling smile. It was overwhelmingly awesome!

Putting aside her unique and beautiful Burmese-Indonesian-Chinese looks, her down-to-earth personality was what shone the brightest. Now, it’s easy to understand why she stands out in the crowd, with a colourful aura surrounding her.

Tiara’s passion in the arts started during her schooling days. She was always so active as a producer, director, choreographer, dancer, singer, actor in the school annual musical productions, concerts and the cheerleading team that she said it’s a wonder she managed to get decent grades!


“We went to other schools including our rivals, promoting our plays. I spoke to the students before their class,” says Tiara who got her early education at SMK St. Mary.

“You can see how my formative years at school have definitely led me here. Students were always encouraged to explore and develop their creativity and leadership skills out of the classroom. We had a fantastic bunch of very supportive teachers, who believed that creative and artistic development of a child was just as important as scoring 17 A1s.”

Even being the captain of her cheerleading squad in school has helped build her to be who she is today. Tiara says, “Cheerleading is great. It’s all about encouraging that person across the finish line, motivating them all the way.


And in the end, it’s not only that person who is happy but the whole sports house shares the joy. She applies that same concept even today in her life.

She was very sure about one thing right from the onset in her career-to lead every project she undertook. In her mind, she had a clear idea of the outcome of every project and she could only achieve this if she was in the driver’s seat.

As a college student in KDU she started her first venture as an entrepreneur by setting up one of the country’s first talent casting and management agencies, then called Jacquie Eu Productions, with her best friend and college mate Jennifer Ong. They discovered talents like Sofia Jane, Linda Hashim, Sasha Bashir, Nasha Aziz, Maria Faridah, even Meer Habib, as well as many others, during this time.


In 1987, her agency was approached by Bustal Nawawi, Indonesia’s most well-respected film producer, to cast Malaysian actors for the first Malaysia-Indonesia joint venture movie called Irisan-irisan Hati. They auditioned everybody in the business – actors, models, singers, even TV newscasters, but the producer wasn’t happy.

“He finally asked me to audition, and I did so quite reluctantly. He apparently liked what he saw and offered me the role, but I turned him down, saying I had no intention of being an actor, that I was happier to run a business.

He then promised me that if I signed on to do four films under his company, he would teach me the business of film production as well. That did it for me – the chance to learn from the best, first hand as well. I signed on and never looked back as an actor and producer”, says Tiara.

Tiara Jacquelina was also the soulful voice behind the hit song Asmaradana from the soundtrack of Puteri Gunung Ledang. Tiara says she had always wanted to change the music landscape in Malaysia and so they tried out a more ethnic fusion. They also experimented a lot with dance form to add more funk but still keep its traditional vibe to it.

She is also a diligent (producer). She’s always on the go and wants to explore what has never been done before. She saw the opportunity for a magical story in Puteri Gunung Ledang, and even while the movie was being filmed, the version had its own parallel journey. “There wasn’t an industry as such when we first announced we wanted to put a musical version of PGL on stage”.

“To be quite honest, it seemed like the odds were dead against us – we couldn’t find performers who could act, sing AND dance, nobody had the experience to put on a large-scale production, but most worrying of all was that nobody went to the theatre in Malaysia – people didn’t even know WHERE Istana Budaya was, or that we even have one,” she says.

According to Tiara, her favourite aspect of being a part of a musical would definitely be the magic of being able to share it with the audience. “It’s an experience that money can’t buy,” she says. “You always know the applause or standing ovation at the end of it all is genuine because it comes from the heart of the audience.”

As for advice for aspiring musical actors, Tiara says that you always have to be prepared mentally and physically because nothing is going to be easy. She says, “I had to sing day and night as well as learn how to dance for the Puteri Gunung Ledang role”.

Tiara Jacquelina who is also the managing director of Enfiniti Vision Media, says that in her eyes, working with young and dynamic people is always important as you need people around you to be hungry for work. “Having the right spirit and personality is important,“ she says.

From experience, coming into the entertainment business cold, she is currently working on a variety of short courses catering to all ages; children, youths and working adults through Enfiniti Academy.

“We hope to nurture the talents early in children and youths but we also understand that there are many out there holding stable jobs and yet have a stifled love for musical theatre. Our courses will allow them to juggle their passion and responsibilities. In fact, some corporate seminars will teach them how to get the best of both worlds by incorporating musical theatre theories into their everyday lives,” she says.

And of course, I couldn’t leave without finding out her favourite musical of all time. “Oh, Miss Saigon of course, that’s my favourite,” she says with a huge smile sprawled across her face. “When I saw Lea Salonga on stage, I said, ‘If she can do it, I can do it too!’,” she says. She also admires Andrew Lloyd Webber because “he’s a genius” and I couldn’t help but agree.

I must say now that I have been very fortunate to have met someone like Tiara, who has been gracing the stage for years with her vibrant persona. To sum her up in a word would be hard because words cannot define what an amazing and remarkable individual she is. All I can say is that she is definitely a ‘Puteri’ of the musical scene.

Her last words, “Think big, think (like) Obama! Do what you’ve never dreamt of. You have to lead to determine the outcome, be it in life or in a performance”.



Read more: Tiara for a Princess http://www.nst.com.my/nst/articles/TiaraforaPrincess/Article/#ixzz11enH4etF

Saturday, 18 September 2010

CEOs- Here's One 4-Letter Word You Need to Start Using

Ok, so we know by now that Indian astrologer was wrong about the World Cup. It was an interesting concept though, you must agree.

Hi everyone... I haven’t posted anything for a while, been too distracted by FB and Twitter lately... but I thought this was an interesting read my girlfriend sent me that was definitely worth sharing, since most of us are or will be leading in some way or another.

It talks about leading a team/organisation/project using a 4-letter word called LOVE, and uses the analogy of bringing up children, which I agreed with for the most part.

However, I always feel that even with children, or rather ESPECIALLY with children, you need to use "strong love" rather than "soft love" (learnt this from attending a parenting talk with Steve Biddulph, author of Raising Boys, years ago), so they know you mean business when you do, but they know they're always cared for and loved, and that security always acts as a buffer for the times you may have to reprimand them for not doing the right thing.

In any case, it’s the weekend, and I'm still celebrating Malaysia day. Malaysia needs to cheer up, to loosen up, smile a little and embrace life a bit more. Stop and smell the roses. Not take everything TOO seriously that we forget to live a little in between.

Here's to the leaders and CEOs of tomorrow, lets make Malaysia a better place for all of us.


:-)


CEOs: Here's One 4-Letter Word You Need to Start Using

From : http://www.huffingtonpost.com/debbie-robins/ceos-heres-one-fourletter_b_715917.html

And that four-letter word is LOVE. Love is the value proposition most CEOs still don't get. ROL (Return on Love) will radically and rapidly increase your ROI (Return on Investment). When CEOs the world over take the word love out of their closet and use it as their primary driver for success, businesses will experience unprecedented creativity, unprecedented profitability, as well as unprecedented human happiness.

Here's why.

At our core, all human beings want the same thing: to be loved (def: cared for, nurtured, and protected). We also want to give love. On top of that we want to avoid the absence of love, to protect ourselves from being hurt.

When you stop and take a look, the desire for love is all around us. The world's greatest religious and spiritual leaders have preached about the power of love for centuries, we have written more songs about love than any other subject, and we've developed a thriving therapeutic industry to help people successfully navigate their need for love.

Yet in our quest to conquer the business world, we too often disassociate ourselves from love, one of the most important aspects of who we are. We live by the credo "the business of business is business." Guess that's why 75 percent of all Americans say they're unhappy with their jobs.

Consequently, they take their upset home to (and out on) their spouse, life partners, children, family members, friends, neighbors, pets, vendors, and the cable TV repair person.

The modern day plague that impacts every one of us isn't a physical illness like typhoid or polio. It's an emotional disease -- unhappiness -- being fueled in large part by our mismanaged work environments.

However, the companies that have awakened to human capital as their organization's greatest asset are raking it in, for example, Whole Foods, Google, Seventh Generation, Trader Joe's, Organic Valley, Ben and Jerry's and Timberland. They have discovered how to capitalize on our human need for love by creating caring cultures that reap extraordinary innovation and profitability while simultaneously adding value to our society.

According to published data, by 2007, the "best places to work" companies were creating twice the wealth of the S &P 500 Index! If you don't believe me, read Jeffrey Hollender (co-founder of Seventh Generation) and Bill Breen's new book: The Responsibility Revolution -- How the Next Generation of Businesses Will Win. If you are in business and authentically care about your world, this is a MUST READ. Fear based, top down cultures aren't going to cut it anymore. People want to connect. They want to be a part of a community. They want to feel loved.


Here's what is known about the value of love.

Love:

➢ Gives you self confidence
➢ Motivates you to overcome your challenges
➢ Helps you accomplish your goals
➢ Provides emotional and intellectual strength
➢ Energizes you to uncover, ideate and surface new ideas, approaches, solutions
➢ Enforces integrity - greater truth, transparency and moral choices
➢ Makes you feel more optimistic about living - ignites a sense of possibility
➢ Makes you more tolerant
➢ Makes you want to align with others - perform as a team/unit/family
➢ Makes you more inclined to help someone else
➢ Makes you more open to sharing your experiences
➢ Makes you more patient
➢ Makes you more willing to sacrifice for an important goal
➢ Engenders more loyalty
➢ Creates a positive energy that can be infectious/viral
➢ Injects endurance when a goal has to be accomplished over time
➢ Provides peace of mind - calmness in the face of adversity
➢ Is a great equalizer, connects you to something universal
➢ Provides a sense of meaning and purpose
➢ Engenders more laughter
➢ Generates more fun

Sounds to me like the necessary conditions for companies to succeed in a rapidly changing global economy. Aren't confident, motivated, strong, innovative, honest, positive, tolerant, problem solving, purposeful, happy, determined people who want to play together to win and to do it with integrity what you, as a leader, want?

If your answer is yes, then it's time to take the word LOVE out of your CEO closet, dust it off, and put it to work. Here's what love looks like (behaviors) in the workplace.



Behaviors of Love Leadership:

➢ Listening
➢ Asking questions
➢ Allocating
➢ Feed forward (different than feedback!)
➢ Sharing information
➢ Being transparent
➢ Prizing - finding what's right first, then suggesting what can be improved
➢ Reframing challenges as learning opportunities
➢ Supporting others
➢ Using humor in a positive way
➢ Mentoring
➢ Engaging others opinions
➢ Communicating in a clear and caring way
➢ Taking accountability
➢ Encouraging top down innovation
➢ Investing in growing others
➢ Celebrating wins together
➢ Cheering on personal growth
➢ Setting clear boundaries
➢ Presenting challenges
➢ Encouraging self care

Countless studies show that babies who are insufficiently loved and nurtured are impaired in their social development. Presently, 70 percent of a person's life is spent at work; thinking about work, preparing for work and trying to get over the toxic effects of work. When insufficient caring is present in our work life, our mental, emotional and physical health is impaired too.

CEOs: to whom much is given, much is expected. It's time to end this terrible trend of placing financial capital ahead of human capital. Don't make money less important than people. Simply make your people as important as your profitability. That shift, in and of itself, will radically change our world.

When human beings feel loved, all aspects of their psyche are primed for peak performance. Unshackle the human spirit. End CEO-centric organizations. Broaden the distribution of strategic innovation. Move towards love leadership. Embrace the responsibility you have to positively impact the world.


Debbie Robins
Named one of the top executive coaches in the country by Marshall Goldsmith
Executive, leadership, career coach, Huffington Post blogger, best-selling author
www.debbierobins.com

* images from gerrykirk.net, uollibraryblog.wordpress.com and 123rf.com

Monday, 5 July 2010

Astrology and The World Cup?

My girlfriend Noren sent me this, I think it's worth pondering:

Some Indian astrologer has come up, once again with some interesting numerology!!



This world cup is already determined by the numbers....

1. Brazil won the World Cup in 1994; before that they also won in 1970. Adding 1970 + 1994= 3964

2. Argentina won its last World Cup in 1986; before that they also won in 1978. Adding 1978 + 1986= 3964

3. Germany won its last World Cup in 1990; before that they also won in 1974. Adding 1974 + 1990= 3964

4. Brazil also won the World Cup in 2002; before that they also won in 1962. Adding 1962+ 2002= 3964

5. Therefore if you want to know what nation is going to win the World Cup in 2010, you only have to subtract 2010 from the magic number that we have determined: 3964.
3964 minus 2010 = 1954... In 1954 the World Cup was won by Germany!!!

Probably not scientific... but pretty interesting..
LETS WAIT & WATCH......



Friday, 21 May 2010

West Side Story at Istana Budaya

I was invited to watch West Side Story last night at Istana Budaya. Had seats with a fabulous view, thanks to Joe and Zubaidah (thank you!), and it’s always such a pleasure for me to “return” to IB, ESPECIALLY when I’m in the stalls instead of up onstage.

I wasn’t sure what to expect from this staging of West Side Story mostly because the traveling productions that have previously come our way really left much to be desired.

I also never watched the movie in full before this and never got the chance to watch West Side on stage anywhere in the world.

I spent Sunday evening watching the movie (with my kids too, as I wanted to prepare them mentally before I decide if it could even be a good idea to bring them to IB). I must say Natalie Wood and Richard Beymer will always be a hard act to follow. Their performances of Tony and Maria were just so engaging, riveting and believable, you really want to see them run away and be together forever.







The production that came our way, the one I watched at IB last night, was probably the best of the “From Broadway” offerings to Malaysian audiences so far.

Putting on a show of ANY kind is a huge challenge in itself, with logistics, talent, preparation and set-up to figure out amongst so many other things. I always take my producer’s hat off to anyone who gets a show ON stage.

If anyone asked what I loved BEST about WSS, I’d say the music was really tight considering most of the musicians were assembled locally.

The choreography deserves 2 thumbs way up too, as well as the dancers. Pat Ibrahim was right, “makan hati” is the right term to describe it. He would DIE to have an ensemble of dancers trained so well and able to execute moves to perfection. We have a long, long way to go in this area but we’ll get there.

What did I LEAST like about the show? Hmmm…

The leads who played Tony and Maria had fabulous singing voices, and Maria put in special effort to adopt a Puerto Rican accent. The other actors had trouble hiding their accents though, I could tell they had trouble pulling off a New York accent without their native accents that sounded Scottish or Irish coming through. That’s not major though, and it shouldn’t put anyone off watching the show because of it.
What was a put off for me though was the acting. When I read that the show was directed by Joey McKneely who was also the choreographer of the show, I imagined 80% of the preparation for the show would definitely have been in the choreography and not in directing the actors or working on characterization or the actor’s emotional preparation. I didn’t feel for the two lovers, so I didn’t root for them and didn’t care for them much.

It's not easy for me as part of audience investing 2-3 hours in a captive space when you're not emotionally involved in the journey of who's on stage.

Still, just for the experience of watching a classic Broadway musical, since it's so rare an opportunity for us to enjoy such productions here anyway, I'd say go catch it, if you can afford to pay almost rm600 for a ticket.

I came across a website offering tickets at 15%, here it is:

http://www.offerstation.com/offers-promotions/49284/15-percent-off-west-side-story--the-original-broadway-musical-tickets.htm

Enjoy 15% off your tickets to the West Side Story - The Original Broadway Musical from New York at Istana Budaya, Kuala Lumpur from 12th till 24th May 2010 with your HSBC Credit Card.

Ticket prices (before discount):
RM590, RM490, RM390, RM290, RM190 (excludes RM3 ticketing fee)

Call Tickets People at 03-2287 2727 or visit website to book.

Offer valid for HSBC Credit Cardmembers only.

Tuesday, 16 March 2010

What I Want in a Man - have a good laugh!

My girlfriend Malina sent this to me this morning - it's come around before, but I don't remember ever not laughing out loud every time. Thought it deserved to be archived for whenever anyone needed a good laugh. I had fun adding cartoon pictures to it too. Enjoy!


What I Want In a Man, Original List
1. Handsome
2. Charming
3. Financially successful
4. A caring listener
5. Witty
6. In good shape
7. Dresses with style
8. Appreciates finer things
9. Full of thoughtful surprises



What I Want in a Man, Revised List (age 32)
1. Nice looking
2. Opens car doors, holds chairs
3. Has enough money for a nice dinner
4. Listens more than talks
5. Laughs at my jokes
6. Carries bags of groceries with ease
7. Owns at least one tie
8. Appreciates a good home-cooked meal
9. Remembers birthdays and anniversaries




What I Want in a Man, Revised List (age 42)
1. Not too ugly
2. Doesn't drive off until I'm in the car
3. Works steady - splurges on dinner out occasionally
4. Nods head when I'm talking
5. Usually remembers punch lines of jokes
6. Is in good enough shape to rearrange the furniture
7. Wears a shirt that covers his stomach
8. Knows not to buy champagne with screw-top lids
9. Remembers to put the toilet seat down
10. Shaves most weekends




What I Want in a Man, Revised List (age 52)
1. Keeps hair in nose and ears trimmed
2. Doesn't belch or scratch in public
3. Doesn't borrow money too often
4. Doesn't nod off to sleep when I'm venting
5. Doesn't re-tell the same joke too many times
6. Is in good enough shape to get off the couch on weekends
7. Usually wears matching socks and fresh underwear
8. Appreciates a good TV dinner
9. Remembers your name on occasion
10. Shaves some weekends






What I Want in a Man, Revised List (age 62)
1. Doesn't scare small children
2. Remembers where bathroom is
3. Doesn't require much money for upkeep
4. Only snores lightly when asleep
5.. Remembers why he's laughing
6. Is in good enough shape to stand up by himself
7. Usually wears some clothes
8. Likes soft foods
9. Remembers where he left his teeth
10. Remembers that it's the weekend




What I Want in a Man, Revised List (age 72)
1. Breathing.
2. Doesn't miss the toilet.




Thursday, 4 March 2010

FAME - I'm gonna live forever, Baby remember my name...


I HAVE to blog this... I've been searching for this song high and low for DECADES! "STARMAKER" -

I was maybe 13 or 14 when the movie came out, and 16 when the TV series finally screened in Malaysia, and I remember how FAME did it all for me back then. Besides he fantastic dancing and acting, I remember being moved and inspired by Irene Cara's soulful rendition of "Out Here On My Own". Not many songs those days were written as "performance" songs, most were just run of the mill pop songs, but Irene Cara's singing was packed with emotion without going over the top, and I told myself, ONE DAY, I WANNA SING AND DANCE AND ACT LIKE THAT TOO.

FAME - the movie and TV series, was the Glee of yesteryear. It's themes are still as relevant today as they were 25 years ago, quite amazing.

This is the movie that did it for me, and the theme song became my anthem throughout my teenage years, and had stayed with me even today.

Lyrics to Fame (Tiara's teen anthem!)

Baby look at me
And tell me what you see
You ain't seen the best of me yet
Give me time I'll make you forget the rest

I got more in me
And you can set it free
I can catch the moon in my hands
Don't you know who I am

Remember my name
Fame

I'm gonna live forever
I'm gonna learn how to fly
High

I feel it coming together
People will see me and cry

Fame

I'm gonna make it to heaven
Light up the sky like a flame
Fame

I'm gonna live forever
Baby remember my name

Remember
Remember
Remember
Remember
Remember
Remember
Remember
Remember

Baby hold me tight
Cause you can make it right
You can shoot me straight to the top
Give me love and take all I've got to give

Baby I'll be tough
Too much is not enough
I can ride your heart til it breaks
Ooh I got what it takes

Fame
I'm gonna live forever
I'm gonna learn how to fly
High

I feel it coming together
People will see me and cry
Fame

I'm gonna make it to heaven
Light up the sky like a flame
Fame

I'm gonna live forever
Baby remember my name
Fame




From Wikipedia:
Fame is an American television series originally produced between 1982 and 1987. The show was based on the 1980 motion picture of the same name and was hugely popular during its first few seasons. Using a mixture of drama and music, it followed the lives of the students and faculty at the New York City High School for the Performing Arts. Although fictional, it was based heavily on the actual Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York. Most interior scenes were filmed in Hollywood, California. In Seasons 1, 2, 4, 5 and 6 the show filmed several exterior scenes on location in New York City.

The popularity of the series, particularly in the UK, led to several hit records and live concert tours by the cast. Despite its success, very few of the actors maintained high-profile careers after the series was cancelled. A number of the cast members were seen again briefly in a reunion programme made for UK television in 2008.

The Emmy and Golden Globe award-winning TV series portrays the lives of a diverse group of talented high school students at new York's School of the Arts. Training hard for careers onstage, the young performers face tough competition and even rejection, along with all the normal teenage dramas. Debbie Allen, the series' star and choreographer, heads a dynamic ensemble cast: Lee Curreri, Erica Gimpel, Albert Hague, Carlo Imperato, Carol Mayo Jenkins, Valerie Landsburg, P.R.Paul, Gene Anthony Ray (as dance sensation Leroy), and Lori Singer.


The cast
Faculty

* Debbie Allen as Lydia Grant
* Albert Hague as Benjamin Shorofsky
* Carol Mayo Jenkins as Elizabeth Sherwood (seasons 1-5)
* Ann Nelson as Mrs. Gertrude Berg (Seasons 4-6, recurring previously)
* Ken Swofford as Quentin Morloch (Seasons 3- 5.09)
* Graham Jarvis as Principal Bob Dyrenforth (Seasons 5.10- 6)
* Morgan Stevens as David Reardon (season 2, recurring seasons 3 & 4)
* Eric Pierpoint as Paul Seeger (Season 6.03)
* Michael Thoma as Greg Crandall (recurring season 1)

Students

* Gene Anthony Ray as Leroy Johnson
* Carlo Imperato as Danny Amatullo
* Billy Hufsey as Christopher Donlon (seasons 3-6)
* Valerie Landsburg as Doris Schwartz (seasons 1-4)
* Jesse Borrego as Jesse Velasquez (seasons 4-6)
* Lee Curreri as Bruno Martelli (seasons 1-3)
* Cynthia Gibb as Holly Laird (seasons 3-5.10)
* Nia Peeples as Nicole Chapman (seasons 4-6)
* Erica Gimpel as Coco Hernandez (seasons 1-3.08,recurring Seasons 4-6)
* Loretta Chandler as Dusty Tyler (seasons 5-6)
* Lori Singer as Julie Miller (seasons 1-2)
* Carrie Hamilton as Reggie Higgins (seasons 5-6)
* Janet Jackson as Cleo Hewitt (season 4)
* Michael Cerveris as Ian Ware (season 6)
* Elisa Heinsohn as Jillian Beckett (season 6)
* P.R. Paul as Montgomery MacNeil (season 1)
* Page Hannah as Kate Riley (seasons 5)
* Olivia Barash as Maxie Sharp (season 6)

Watching this video brings back fond memories of school, and performing this with my posse on Teachers' Day. I cannot watch this without crying buckets.You see, in school, I wasn't one of the academic achievers. I could have been if I had bothered, and I was always amongst the top 7 or so, and sometimes even top, but school was more about fun to me - it was about sports day, cheerleading, acting in the school musical productions, about singing in the Form Four Variety show, ie. performing at every opportunity.

I loved Art and Literature and History though. And in Form 5 I came to love Maths, thanks to my tuition teacher Mr. Foo, bless him. But I used to frustrate every one of my teachers, as well as my headmistress. It used to rile them that I was one of the smartest kids who just wasn't bothered to try. I just wasn't fond of the way they tried to straighten me up when I wasn't ready for it, I guess. Because of that, I became such a rebel, a likeable, loveable one if that makes any sense. I used to annoy my teachers yet I'd tease them and make them laugh as well, so there was a good sense of balance.

When my friends and I performed this song and dedicated it to the teachers who shaped our lives, it was a huge emotional moment for both students as well as teachers. I remember how I barely made it to the end of the song, fighting back tears and choking so much all the way. Some of the teachers came up to us and hugged us, and it was a nice moment where misunderstood teen students and well-meaning teachers reconciled.

I want to particularly dedicate this blog entry to 2 of my teachers who encouraged me to be who I was and follow my dream - Mrs. Sekaran, my Art and Music teacher, and Mrs. Noreen Kannabhiran, my Form Mistress and 4 Arts One, English Teacher and the absolute most stylish teacher that ever walked the grounds of St. Mary's. She was the teacher in charge of The Form Four Variety Show and if I remember correctly, she was also in charge of the school Cheerleading squad.

Anyway. Here's a YouTube video recording of "STARMAKER". Dedicated to the followers of my blog from the same vintage!




Lyrics here so you can sing along:
Here as I watch the ships go by
I'm rooted to my shore
I keep asking myself why
And if there's more on the other side
Here as I see the friends I thought I made
A little bit crazed and knowing now
We've outgrown one another

CHORUS
Star maker
Dream breaker
Soul taker
We're happy now

Now when I see the things I want
I can take the things I see
But I keep asking myself why
And if there ain't just a little bit more for me
Here when it's time to count the cost
I keep measuring what I've lost
And wondering if you knew
It would all end up with you

CHORUS
Star maker
Dream breaker
Soul taker
We're happy now
Here as I watch the time go by
How I'd like to sail away
Leaving all my past behind
But I know I'd only last for a couple of days
Here stands everything I thought I made
It's the only life I know
And I can't even call it my own
I've got no hope, I belong to you

My star maker
Dream breaker
Soul taker
We're happy now
We're so happy now

And here's another classic! Irene Cara singing "Out Here On My Own". She starred in the Film version of "Fame".



Out Here On My Own lyrics:
Sometimes I wonder
Where I've been
Who I am, do I fit in?
Make-believing is hard alone
Out here, on my own

We're always proving
Who we are
Always reaching
For that rising star
To guide me far
And shine me home
Out here on my own

When I'm down and feeling blue
I close my eyes so I can be with you
Oh, baby, be strong for me
Baby, belong to me
Help me through
Help me need you

Until the morning sun appears
Making light of all my fears
I dry the tears I've never shown
out here on my own

But when I'm down and feeling blue
I close my eyes so I can be with you
Oh, baby, be strong for me
Baby, belong to me
Help me through
Help me need you

Sometimes I wonder
Where I've been
Who I am, do I fit in?
I may not win
But I can't be thrown
Out here on my own
On my own

And it looks like FAME has come full circle, 25 years later! The re-make came out last year but I missed it.

Starring: Asher Book, Naturi Naughton, Kay Panabaker, Kherington Payne, Collins Pennie, Paul McGill, Debbie Allen

A reinvention of the original Oscar®-winning hit film, Fame follows a talented group of dancers, singers, actors, and artists over four years at the New York City High School of Performing Arts, a diverse, creative powerhouse where students from all walks of life are given a chance to live out their dreams and achieve real and lasting famethe kind that comes only from talent, dedication, and hard work. In an incredibly competitive atmosphere, plagued by self-doubt, each students passion will be put to the test. In addition to their artistic goals, they have to deal with everything else that goes along with high school, a tumultuous time full of schoolwork, deep friendships, budding romance, and self-discovery. As each student strives for his or her moment in the spotlight, theyll discover who among them has the innate talent and necessary discipline to succeed. With the love and support of their friends and fellow artists, theyll find out who amongst them will achieve Fame.



And sometime this month, I'm looking forward to watching a really talented young cast from The Alice Smith School (particularly a talented young girl named Tengku Sofia Daud) perform FAME onstage, so I can once again re-live my memories through their eyes.